What is the Upload Collective?
Why Did I Visit?
I am deeply fascinated by VR, and indeed spatial computing in all of it’s forms, seeing it as the next, logical step in our move towards ever more immersive digital interactions and intuitive computing that promises to change every facet of how we create and interact with content. From healthcare to learning to entertainment, spatial computing is, and will continue to do so at an ever greater rate, change how we work, learn and play. I was aware of Upload VR from my time at AWE (Augmented World Expo) in 2015, where I volunteered in a bid to connect with and learn more about both augmented and virtual reality. Hooked in an instant, I have continued to follow UploadVR as a source of industry news and decided that during my next trip to the Bay Area I wanted to visit and see first-hand what they were doing in the city. A LinkedIn email to Taylor Freeman, co-founder of UploadVR, later and a date was set for me to head on over and talk all things VR. In addition to being able to meet the people involved and see for myself what was going on at the collective I also really, really wanted to physically experience high-resolution VR myself. I had been able to try out a few VR experiences at AWE last year but since then both the Oculus Rift and the HTC Vive had been commercially released, along with a plethora of incredible experiences to accompany them. I was still trying to decide on which system to consider investing in and the only way to really know for sure is to try and garner the opinion on industry leaders, right?!
What Did I See & Who Did I Meet?
After having to rearrange the meeting on account of the Memorial Day holiday in the US, I headed round the corner from where I was staying in San Francisco to the Upload Collective’s space on Mission for my early meeting with Taylor. Walking in to their first floor space the first thing that struck me was how light and airy the place felt, with all of the casual cool that one naturally associates with a technology start-up. Comprising a large central co-working space, with a well-equipped kitchen at one end and comfortable sofas and the obligatory bean bag, this area was fringed with a number of separate rooms, containing various computers, whiteboards and all the other stuff one might need to create the future of immersive technology. One room, much bigger than the rest, contained a whole load of studio equipment and green screens, used for creating VR showcases in which people not wearing a headset can still feel immersed in what it is the user is experiencing. This is still one of the biggest hurdles for VR to overcome: how can you get people truly excited about the technology and experience without, well, actually physically donning a headset. It is the biggest marketing issue that VR has and whilst efforts by Google, and third parties such as the New York Times who gave away millions of Google Cardboard headsets to readers, to introduce people to the wonder of VR, it remains so that in order to really “get VR” it is vital to “try VR,” especially the high-end devices and experiences. Work being conducted at Upload Collective is aiming to tackle this very challenge.
Other rooms, and the ones I instantly had my attention drawn towards, were the VR rooms themselves. Devoid of furniture, blacked out and foam-lined, with a powerful gaming PC and various pieces of VR equipment sitting on hooks at one end, these are where the magic happens, or rather where it is experienced.
Given the fact that it was a) early and b) the day after the holiday weekend, there were not very many people in when I visited and so I daresay that I didn’t quite get the full impression of the energy that would normally coarse through the space in a usual day.
I met Taylor, who promptly offered me my first caffeine hit of the day courtesy of the shared espresso machine, and we sat down to talk about how UploadVR came about, Taylor’s own background and path into the space and plans for Upload Collective, including their collaboration with Make School, situated just next door, on a course for budding VR developers. You can read a little more about UploadVR here.
The second person I met was Avi Horowitz, Intern at Large at Upload, who was kind enough to get me set up on one of the Collective’s HTC Vive headsets and launched me into the first of several incredible VR experiences, Google’s amazing 3D art program, Tiltbrush.
What Did I Do?
As soon as I donned the headset I found myself standing in a blank, flat landscape, fringed with stars on the horizon and a beautiful night sky. Avi, with a simple selection from the menu, changed this setting such that I now found myself standing in the middle of space, surrounded on all sides by stars. Magical! However, this was nothing compared to what was to come next. Using the two controllers supplied with the Vive, I had all the tools of a master artist, with my left serving as a rotating smorgasbord of art options and my right as the main tool. With a simple ‘laser light’ tool selected I started drawing in the void in front of me. Yes! Drawing right there in space! This simple action may not have been that impressive on a 2D surface, such as a graphics tablet, but the fact that I was laying down graphics in 3D, such that I was able to walk towards, through, and around it made the entire experience a revelation. Much as I can imagine how Michelangelo would have felt at discovering the power and potential of sculpting clay as a medium for artistic expression, I felt the same thrill and joy at the potential for just what was now possible using this medium. A childish grin the size of the Cheshire Cat’s instantly spread across my face as I quickly learn’t how to select different tools, colours, effects and with all the enthusiastic urgency of a toddler at play set to creating my ‘masterpiece.’ The fact that what I was drawing/ building/ creating was nothing more than formless nonsense was immaterial. What was important was just how addictive, immersive and unique the experience was. I can not even imagine a child not becoming deeply fascinated in art and the process of design and creation using such a powerful yet intuitive tool as VR. As a medium for limitless artistic expression it is un-rivalled and for anyone professionally involved in design, from architects to product designers, being able to walk around, through and view your creations from any and all angles it surely renders the lowly drawing board redundant. It is testament to how incredibly fun this one VR experience is that I spent about an hour playfully immersed in it and the fact that I was then able to record what I had created and thus take it away with me provided the cherry on the big VR cake.
Other experiences were just as powerful, from Universe Sandbox that enables users to literally ‘play God’ by creating their own galaxies and the like, with celestial bodies even adhering to the laws of physics, to WeVR’s incredible experiences, theBlu that saw me standing on the bow of a sunken ship surrounded by incredible reef life and a whale that slowly swam out of the depths, passing me within touching distance, allowing me to look the beautifully rendered animal in the eye, and it into mine, the scope for becoming utterly and entirely lost in VR was limitless. This latter experience really helped solidify my view of VR as an incredibly powerful empathy generator, with evidence backing up the idea that immersion drives empathy and empathy really drives understanding and action. Can you think of a more powerful framework for effecting real educational outcomes? I can’t. VR enables users to experience, first-hand, albeit in a digitally-rendered simulation, the experiences of others and to put people in situations that they would otherwise not be able to experience either easily or at all. Want to understand what it is like to live in a Syrian refugee camp? Within’s ‘Clouds over Sidra’ achieved this very same thing. What about experiencing life on the streets? Upload created such a VR experience, ‘A Day in the Streets’, to help educate through empathy on the plight of San Francisco’s homeless population. I can imagine how the same approach could be applied to creating a similar experience to simulate the life of a stray dog or cat, or perhaps show what a journey from being owned to abandoned might ‘feel like’ in order to drive empathy and make people think twice about taking on a pet when they are not truly committed to providing a home for life. The potential is limitless and the effect of VR truly impactful. Just ask anyone who has donned a headset themselves.